2 edition of The Oxford handbook of early modern theatre found in the catalog.
The Oxford handbook of early modern theatre
Includes bibliographical references (p. -672) and index.
|Statement||edited by Richard Dutton.|
|Series||Oxford handbooks of literature|
|Contributions||Dutton, Richard, 1948-|
|LC Classifications||PN2589 .O94 2009|
|The Physical Object|
|Pagination||xxvi, 716 p. :|
|Number of Pages||716|
|LC Control Number||2009921243|
The Oxford Handbook of Dance and Theater collects a important mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an concept that unites the work of dance and theater students and artists, and embodiment as a negotiation of energy dynamics with necessary stakes, these essays give attention to the politics and poetics . The Oxford Handbook of Early Modern Theology attempts to fill this gap—and does it very effectively. The authors are aware of the colorful diversity of the theological ideas in this period, and they do justice in bringing out them efficiently.
Witchcraft was always a contested idea, never fully established in early modern culture but much harder to dislodge than has usually been assumed. The essays are European in scope, with examples from Germany, France, and the Spanish expansion into the New World, as well as a strong core of English material. The Oxford Handbook of Philosophy in Early Modern Europe by Desmond M. Clarke, , available at Book Depository with free delivery worldwide.
The Oxford Handbook of Early Modern Theology, (Oxford: Oxford University Press, ). $ pp. Hardcover. Hardcover. S tudying classic Reformed theology is one of the most important things that Reformed ministers and students can take up. The Oxford Handbook of the American Musical covers many disciplines concerned with the genre. This book focuses on the early period of their .
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This book shows how early modern actors evolved over time to meet new challenges such as the opposition of City of London authorities, the possibility of permanent location in London, the re-emergence of boy companies c, and the great increase in court performance which began under James I.
Articles also explore the practical everyday business of playing:. : The Oxford Handbook of Early Modern Theatre (Oxford Handbooks) (): Dutton, Richard: BooksCited by: The Oxford Handbook of Early Modern Theatre Edited by Richard Dutton Oxford Handbooks.
An indispensable reference for the study of Early Modern Theatre; Thirty-five specially written contributions by an international team of experts providing the most advanced scholarship in each area; Unusually, contains essays on theatre history methodology.
The Oxford Handbook of Early Modern Theatre - Google Books There was no single 'Elizabethan stage'. Early modern actors exploited various opportunities for patronage and profit between the s. The Oxford handbook of early modern theatre (Book, )  Get this from a library. The Oxford handbook of early modern theatre.
[Richard Dutton;] -- This collection of new essays explores the social, political, and economic pressures under which the playing companies of Shakespeare and his contemporaries operated. The Oxford handbook of early modern theatre / This collection of new essays explores the social, political, and economic pressures under which the playing companies of Shakespeare and his contemporaries operated.
It shows how they evolved over time to meet new challenges such as the opposition of City of London authorities, the possibility of p. Published in print October | ISBN: Published online September | | DOI: Series. This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period.
The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church - and, perhaps as a result, produced some of the greatest devotional poetry Manufacturer: OUP Oxford.
The Oxford Handbook of English Prose – offers an overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. "The Oxford Handbook of the British Musical as a whole represents a highly distinguished level of scholarship and acumen.
This is a volume that demonstrates the diversity, inherent social awareness, and musical and dramatic distinctiveness of the British musical.". The second book of the three-volume set will most interest producers and directors of musicals. (Peter Filichia, Music Theatre International) The Oxford Handbook of the American Musical and its companion website offer a fresh and vital collection of 'keyword' essays that unpick and re-thread both process and product/5(3).
Oxford and Cambridge, England's two historical universities, along with the Inns of Court in London, supplied significant impetus to the drama of early modern England. The University of Oxford traces its origins tothe University of Cambridge to Scholarly interest in the early modern sermon has flourished in recent years, driven by belated recognition of the crucial importance of preaching to religious, cultural, and political life in early modern Britain.
The Oxford Handbook of the Early Modern Sermon is the first book to survey this rich new field for both students and specialists. The Handbook is framed by a succinct introduction, a chronology of religious and literary landmarks, a guide for new researchers in this field, and a full bibliography of primary and secondary texts relating to early modern English literature and religion.
The excellent Oxford Handbook of Modern Irish Theatre, which takes its place as the best single volume on the subject, is the culmination of all Author: Fintan O’Toole. The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans.
Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and Format: Hardcover. James Burbage (–35 – 2 February ) was an English actor, theatre impresario, joiner, and theatre builder in the English Renaissance theatre.
He built The Theatre, the first permanent dedicated theatre built in England since Roman times. James Burbage was born aboutprobably in Bromley in Kent. Shakespeare, Memory, and The Early Modern Theatre With Zackariah Long This chapter presents a set of conceptual links between William Shakespeare's Globe and the memory theatre, especially as manifested in that most famous memory theatre of the European Renaissance, Giulio Camillo': Zackariah Long.
The essays in this Handbook, written by leading scholars working in the rapidly developing field of witchcraft studies, explore the historical literature regarding witch beliefs and witch trials in Europe and colonial America between the early fifteenth and early eighteenth centuries.
During these years witches were thought to be evil people who used magical power. The Oxford Handbook of Early Modern European History, provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with.
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre.Stern, TEarly Modern Tragedy and Performance.
in M Neill & D Schalkwyk (eds), The Oxford Handbook of Shakespearean Tragedy. Oxford University Press, pp. Stern, T'Production Preparation'.
in B Smith (ed.), The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, pp. Chapter.When Quince first meets his actors in A Midsummer Night's Dream, he tells them who they will be playing and a little about their fictional characters.
He also distributes to the actors their ‘parts’, the pieces of paper on which their words are.